The Key To A Thriving Creative Class? Give Artists Their Own Real Estate Developers

By Emily Badger
Published: August 9, 2012

The process whereby artists cycle through the rundown neighborhoods of American cities has become so entrenched it even has a dirty name: the SoHo effect. Artists venture into an area where no else will. They help make it desirable, chic even. Then, as rents go up, they’re forced to move out. Neighborhoods appreciate over time. But artist income seldom does.

“I remember that very deeply in my soul back in 1986, we felt that was unfair,” says Kelley Lindquist, who became the president of a nonprofit called Artspace in 1987. “It was insulting for people to sometimes say, ‘Oh, artists like to move, they’re bohemians!’ Who likes to be on the street and renegotiate a lease and carry all their equipment and try to create a new community and basically start all over?”

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